PS Vinothraj’s 2021 ‘Koozhangal’ (Pebbles), a stark, impactful look at how men steamroll over women and their basic desires, through the eyes of a father-son duo, never managed a release despite being feted at international film festivals. It went on to become India’s official Oscars entry in 2022, and found a streaming partner in SonyLiv. Moreover, the Kottukkaali movie review emphasizes the film’s innovative approach to storytelling. #KottukkaaliMovieReview
I watched ‘Kottukkaali’ (The Adamant Girl) at the Berlin International Film Festival in February this year, and was again thoroughly impressed by Vinothraj’s command over his craft as he revisits the themes of patriarchy and misogyny in this deceptively simple story of an adamant girl who refuses to marry the man her family has chosen for her.
I’d asked the filmmakers if they would aim for the domestic theatrical circuit, given the earlier film’s fate. A hundred percent yes, said producer Kalai Arasu, and the film is out today. Do not miss it, if it’s playing anywhere near you, or seek and find it when it comes out on OTT: it is a triumph of independent story-telling, which refuses to call attention to its unmistakable style, while focussing on substance.
In Kottukkaali, the film explores themes like casteism, toxic masculinity, and superstition. It portrays Meena as a ‘shameless’ character due to her love for a lower-caste man. Consequently, the narrative suggests that exorcism is the only remedy for the supposed evil spirit affecting her. #KottukkaaliMovieReview
Overall, Kottukkaali movie review showcases a film that excels in its execution and creativity. Vinothraj and Ben’s collaboration brings depth and nuance to their roles. This synergy transforms the film into a remarkable achievement in the realm of indie cinema.
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